Skip to content

City Central - Neil Dawson (Signed Limited Edition Canvas on Board)
PA0527

£425.00
In stock

Description

A limited edition canvas print by the highly collectable artist Neil Dawson. Details:
  • Medium: Giclée on Canvas
  • Published: 2009
  • Edition Copies: 150
  • Size: 17" x 34"
  • Finish: Canvas with slip or Framed
  • Signed: Yes
  • As with many people, I had always loved art as a child and while growing up at school. I continued my formal artistic education at Central Saint Martins College in London and continue to learn on a daily basis in the studio. The Foundation Course was a very interesting and enjoyable year even though I struggled with some aspects of the course and, at the time, it put me off pursuing a career in art. I had enjoyed the freedom, spontaneity and escapism of painting and the way I could lose myself in the creative process. I did not know how to talk about my work and to an extent I did not want to - I would rather people make their own mind up and take what they want from my work rather than me telling them what they should be thinking and seeing. Discussing, dissecting and, to an extent, justifying what I was doing just seem alien and troubling to me. After the spell at art college I went on do a degree in economics and a job in banking and I didn’t pick up a paint brush for many years. It was an extended period of travel that rekindled my loved of art. Being constantly exposed to beautiful, enchanting, strange, evocative, provocative, bewildering environments with the time and mindset to properly appreciate and reflect on them was a defining experience. Whilst travelling, my camera was my artistic outlet as I tried to capture elements of my new, exciting surroundings. As I got home I dusted off the palette and paints in an attempt to recapture some of the sights and feelings from my time abroad. I quickly realised how much I had missed creating art and have not looked back since. It has not always been plain sailing since, but I will never regret giving art another chance, regardless of what the future may hold. I am a very visual person and my ideas tend to come from what I see around me. In everyday life - flicking through papers, watching TV, walking around town - images, compositions and colours can trigger chain reactions, sparking ideas for future paintings. I am always finding torn out references from magazines or scraps of paper with notes and sketches made in moments of excitement and inspiration days or weeks ago, that serve as starting points for new work. A great deal of inspiration comes from the development and evolution of my own work. I am on a constant learning curve with my painting, even in a disastrous piece I can usually find something - whether a colour scheme, method of mark making and paint manipulation or composition - that worked well and can be taken on and developed in a new work. It is an exciting and evolving process that keeps me fresh, inspired and coming back for more. I tend to use photographic references as a starting block for my pictures to help give a basic structure. However, I don’t like have too strong an idea of exactly how I want the finished article to look, preferring to work in a intuitive and impromptu way thus giving the painting a free rein to develop and feed off itself. I always start quickly as I dislike staring at a blank canvas and find the early stages of a painting the most exciting and creative. I will block in large areas of colour and tone to give the picture life and energy at an early stage. I don’t think there is a right or wrong way to paint, it’s just whatever works for you. Personally, I like to build the picture up as a whole, slowly letting the image come into focus rather than working section by section. I also like to use my fingers a lot in the early stages - the versatility and speed with which the paint can be applied encourages me to work freely, energetically and instinctively. The picture will usually take about five or six stages to complete as the layers of oil paint dry, with the process tending to slow down in the finishing stages as I get down from the big and bold to the smaller elements of the painting. One of the great advantages of being an artist and working for yourself is the freedom it allows you to set your own timetable and work to your own rhythms. I love not having an alarm clock telling me when to get up and rarely wear a watch, instead responding to when body and mind are ready for the day ahead. After getting up and getting ready I will normally spend a while looking over my canvases (I will normally be working on anything up to about 10 at any one time), mentally preparing myself and formulating a course of action for the day. It rarely goes exactly to plan, painting can be very mercurial, but I like to have some goals and an idea about where I will be heading. I will then turn the radio on for some background music and settle into the day’s work. Lunch is normally a quick and simple affair, as by then I am normally totally involved in what I am doing, too excited by the possibilities ahead to be distracted too long. I will normally start to clear up about 6ish, again listening to the body and mind which are normally slowing by then and tiring from the extended effort and concentration I have put in during the day. I will then have a short review period, often making notes on things that I have liked or disliked and thoughts about what should be done next. Then it is time to turn the paintings over so I can’t see them and try and switch off and away from my own personal little world, either losing myself in a book or, more often than not, relaxing in front of the TV. The inertia does not normally last long as something will capture my imagination and set the brain racing with possibilities and potential ideas. I think if you are an artist you are an artist 24/7. You never step out of the office as it were - it affects the way you see and react to the world about you. I tend to get up thinking about art and go to bed with the same thoughts.

    Delivery

    Free delivery on orders over £150.00!

    All products qualify for Free UK Delivery on orders over £150.00

    When ordering please give us as much information as possible. For example: a suitable delivery day, if the items need to be delivered to your neighbour/work or even some directions if it's difficult to find. It is always helpful to know if the item is for a gift and/or whether you need the item delivered by a certain date.

    Our preferred delivery partner for all UK deliveries is TNT. Please provide a mobile number and/or email address and you will be contacted when the parcel is collected from our warehouse.

    All valuable, larger and heavy items will be allocated a delivery slot where you will be able to re-schedule via email or text. Most of our items available are 'In Stock' but our stock changes daily. Delivery from our suppliers vary and can be up to 3 weeks depending on availability. Some of our suppliers send directly to our customers for us, saving time and is dependent on availability. Most items are generally in stock with us or our suppliers but at busy times this can change. If the item is displayed as 'Available to Order' we will confirm availability within 24hrs of placing order and give you an estimate of delivery date.

    Please be aware that our stock changes daily, sometimes by the hour depending on demand and we will always do our utmost to get the order to you as soon as we possibly can. Because of the demand of our items and lead time for delivery from the supplier, stock can run out - if you require the item quickly please email or call us to avoid disappointment.

    If the order has been despatched and you are unavailable when our delivery partner tries to deliver your order, they will usually try to deliver again the next working day or they will post a card to offer you a collection from a local collection point or re-delivery when convenient.

    If you should refuse delivery of goods, or are not available to accept the delivery on both delivery attempts, you will be required to cover any extra costs incurred. Our delivery partner TNT only retain items for 1-2 weeks and Royal Mail only keep items for up to 14 days - after this time new postage charges will be incurred if you would like the item(s) re-sent.

    All quoted delivery prices and free delivery are for most UK addresses. Some areas will incur additional charges and may also experience delivery delays; morning and Saturday deliveries are optional depending on area and will also incur additional charges.

    Receiving Your Item

    When receiving your parcel please mark the item as 'UNCHECKED' in case of any internal damage or if there is any apparent damage to the outside of the parcel. It is recommended to check the contents before signing for the parcel. By signing for the parcel, you are stating that you are happy with the condition of the goods.

    **If the contents are damaged, please notify us as soon as possible and within 2 days**

    If you have a problem or if the item is damaged, please contact us as soon as possible by Telephone: 01592 643227 or email sales@enidhuttgallery.com

    All parcels are sent fully insured.

    IMPORTANT

    PLEASE READ – Do not sign for goods if you are unsure of the condition of the goods inside.

    DO NOT SIGN FOR DAMAGED BOXES OR MAIL BAGS. Failure to follow these instructions could mean that you end up with a damaged item and be unable to claim for them. The signature box that the driver will be asking you to sign confirms that you are happy with the condition please mark it as DAMAGED PACKAGE if there is any sign of damage to the outer packaging at all. Goods should always be checked in front of the delivery representative.

    Where's your Order?

    Before contacting us to see where your order is please see our dispatch timelines below and if you want further details please email sales@enidhuttgallery.com

    Naturally we will try and get your order to you as soon as possible. Dates below relate to 'In Stock' items.

    Article

    Packaging info

    Lead time

    Small Pieces (lower value – up to £100.00)

    Smaller pieces and low value (up to £100.00) are usually sent Royal Mail 1st Class or Special Delivery.All sculptures come complete in their own box and are packaged accordingly to avoid any damage in transit.

    2-3 working days

    Medium Pieces & Mid Value

    Mid size pieces (up to £1,000) are sent via courier on a next day service.These pieces are evaluated and wrapped accordingly; sometimes we may send this value of art or mirror on a fragile carrier which may take a little longer.

    4-7 working daysHigher value items may take up to 10 days.Please allow time to package and despatch higher value items

    Large Pieces & High Value

    Large size art and mirrors (over £1,000) are sent via fragile courier or hand delivered by one of our staff.

    We will arrange a suitable delivery date when ordering

    Please allow time to package and despatch higher value items

    We will contact you to arrange delivery.

    Should you have more specific postage requirements please give us a call on 01592 643227

    We will endeavour to meet all special requests for deliveries however it may not always be possible due to our Courier's own policies

    Most orders placed before 12pm Monday to Friday will be sent as soon as possible and items ordered after that time or at the weekend will be sent at the beginning of the next working day (except Fridays). We will try our best to get your items out sooner but this depends on how busy we are.

    Returning your item

    We do not accept returns unless faulty goods have been received.

    To report any damages please do so with your order reference and photographic proof of damage and original packaging and send to: sales@enidhuttgallery.com

    Once you have reported the damage/fault and have agreed a collection day and whether you would like a credit, refund or replacement, we will uplift it using our courier on the day requested. Please use the original packaging to re-package the item and package it as best you can and address it to our main warehouse address:

    Enid Hutt Gallery27
    St Clair Street
    Kirkcaldy
    Fife
    KY1 2QF

    We will then do the rest and confirm by either email or telephone. If your item is faulty we will provide an uplift and replacement free of charge.

    Returns

    How can I return an item which has been damaged in transit?

    If your order or part of your order needs to be returned due to damage in transit, please contact us as soon as possible (WITHIN 1 DAY OF RECEIPT OF GOODS) and we will arrange a suitable date and time to collect the piece. The item will need to be wrapped in the original packaging. (Please note: our delivery service cannot collect and return it to us without this original external packaging). If the original packaging is not available we cannot accept returns due to the extremely fragile nature of our products. This is consistent with our in-store terms and conditions.

    Returns

    Any items accepted for return must be sent back in original packaging and condition. We do not accept returns for items which are due to your misjudgement or if it is the wrong item ordered.

    If you wish us to give you a quote for this please send us an e-mail, otherwise return the goods to:

    The Enid Hutt Gallery
    27 St.Clair Street
    Kirkcaldy
    Fife
    KY1 2QF
    Telephone: 01592 643227

    If you are unhappy with the goods received we will refund them if they are sent back at the customer's expense in new resaleable condition within 7 working days along with the original receipt. We will not accept orders where the original packaging is not intact and has been removed. We also cannot accept returns where the item has been used or hung on the wall.

    Any refunds will be issued once we have received the goods and checked the packaging and contents. This refund only includes the total of goods sent not the delivery charge.

    Any goods with manufacturing faults on arrival will be replaced or refunded free of charge.

    This does not affect your statutory rights.

    Recently viewed items

    A Balanced Diet - Peter Smith (Signed Limited Edition Canvas on Board) A Balanced Diet - Peter Smith (Signed Limited Edition Canvas on Board)
    £387.75
    Available to order
    A Balanced Diet - Peter Smith (Signed Limited Edition Canvas on Board) Signed Limited Edition Canvas on Board by Peter Smith Details: Medium: Canvas on Board Published: Spring 2015 Edition Copies: 150 Size: 18.5 x 30 Finish: Canvas with slip or Framed Signed:Yes Certificate of Authenticity Included
    Above The Falls - Fiona Haldane (Signed Limited Edition Giclee on Paper) Above The Falls - Fiona Haldane (Signed Limited Edition Giclee on Paper)
    £48.00
    Available to order
    Above The Falls - Fiona Haldane (Signed Limited Edition Giclee on Paper) Signed Limited Edition Giclee on Paper by Fiona Haldane Details: Medium: Signed Limited Edition Giclee on Paper Published: 2017 Edition Copies: 95 Size: 6.3 x 4.6 inches Finish: PrintOnly, Mounted or Framed Signed:yes
    Achnahaird, Assynt - John Bell (Original Acrylic on Board) Achnahaird, Assynt - John Bell (Original Acrylic on Board)
    £2,400.00
    1 in stock
    Achnahaird, Assynt - John Bell (Original Acrylic on Board) Original Acrylic on Board by John Bell Details: Medium: on Board Original Acrylic Published: 2019 Edition Copies: N/A Size: 60 x 8 inches Finish: Framed Signed:Yes Certificate of Authenticity Included
    Anchored - Shelley Hammerton (Original Oil on Canvas) Anchored - Shelley Hammerton (Original Oil on Canvas)
    £750.00
    1 in stock
    Anchored - Shelley Hammerton (Original Oil on Canvas) Original Oil on Canvas by Shelley Hammerton Details: Medium: on Canvas Original Oil Published: 2017 Edition Copies: N/A Size: 16 x 20 inches Finish: Framed Signed:Yes Certificate of Authenticity Included
    City Central - Neil Dawson (Signed Limited Edition Canvas on Board) City Central - Neil Dawson (Signed Limited Edition Canvas on Board)
    £425.00
    1 in stock
    A limited edition canvas print by the highly collectable artist Neil Dawson. Details: Medium: Giclée on Canvas Published: 2009 Edition Copies: 150 Size: 17" x 34" Finish: Canvas with slip or Framed Signed: Yes As with many people, I had always loved art as a child and while growing up at school. I continued my formal artistic education at Central Saint Martins College in London and continue to lea…

    Hello,

    We are very sorry, but the browser you are visting us with is outdated and not complient with our website security.

    Please upgrade your browser to a modern secure version to view our website.